Sometimes you earn points for plain old originality. It's safe to say you've never seen a horror movie quite like Robert Eggers's meticulous tale of 17th century New England outcasts living by a forest that harbors a horrific witch. Atmosphere and authenticity are the main priorities here, sometimes inscrutable horror story that knows when to be ambiguous, and when to deliver a frank parcel of straightforward terror.

有時你能因一些普通的創意而賺點錢。但可以肯定地說,你從來沒有看過像羅伯特艾格拍攝的如此細膩的故事。講述了一個十七世紀新英格蘭的的流放者的故事,他生活在一個有可怕女巫的森林旁邊。這部電影首要考慮的因素是氣氛和真實感。有時神秘的恐怖故事,知道什么時候應該讓畫面模糊,什么時候應該直接制造恐怖。

Some could argue that Green Room is more of a "siege thriller" in the vein of John Carpenter's 1976 classic Assault on Precinct 13 than a horror movie, but given how brutal and terrifying the movie is, I'm laying down the hammer: it counts. All you need to know is that it's about a bunch of punk rockers who witness something very bad, and are then held captive by some terrifying people.

一些人可能會認為綠色空間是一部“動作驚悚片”,類似于由約翰卡朋特導演的《血濺13號警署》,而并非是一部恐怖電影。但考慮到這部電影是多么殘酷和恐怖,我堅定地認為它就是一部恐怖片。你所需要知道的是,這個故事描繪一群朋克搖滾樂隊里的人,他們見證一些非常可怕的事情,然后被一些可怕的人俘虜了。

Easily the best "wide release" horror movie of the year, Don't Breathe benefits from a familiar story that's punched up with a handful of genre subversions and an overall sense of moody claustrophobia. It's about a trio of clueless criminals who believe that a local blind man is the perfect prey for a late-night robbery -- and very quickly come to realize that they're not the predators after all. They're the prey.

這部電影可以很輕松地被評為“年度最佳”恐怖片。它從一個熟悉的故事入手,但是顛覆了以往的體裁以及從整體上營造了一種情緒化的幽閉恐怖感。這個故事講了三個無能的罪犯,他們認為當地的一位盲人是他們深夜搶劫的完美對象,但他們很快意識到,自己并不是狩獵者而是獵物。

This stark, unpredictable black and white horror film was fairly divisive across the festival circuit, but it's hard not to be grabbed by the compelling turns. First-time filmmaker Nicolas Pesce tells the story of a disturbed young girl who grows into a harrowingly twisted woman thanks to a shocking childhood trauma.

這部神秘的黑白恐怖片在電影節上備受爭議,這是由新手尼古拉斯佩謝導演的一部講述一位患有心理問題的年輕女孩由于童年的創傷而成長為一位心狠手辣的女魔頭的故事。

Don't miss this South Korean import, accurately described as "zombies on a train." This is an energetic and highly entertaining combination of horror, disaster movie, and dark comedy, and it's so damn good I expect there to be an American remake within the next few years.

不要錯過這部韓國電影,準確地說,它可以叫“火車上的僵尸。” 這是一部充滿活力,融入了娛樂性的恐怖片、災難片、黑暗喜劇。它是如此的好看以至于我希望美國可以在未來幾年重拍這部電影。

Few filmmakers are as adept at making us scream in our seats as James Wan. What could have been a standard potboiler of a sequel turns out to be one of the more creative and steady scary movies of the year? Vera Farmiga and Patrick Wilson return to play a pair of married paranormal investigators who travel to London and face off against some truly unpleasant apparitions.

很少有電影制作人能像溫子仁那樣擅長拍攝詭異電影,讓我們在座位上尖叫。是什么使一部普通的粗制濫造作品的續集能變成今年的一部更有創意的恐怖電影呢?維拉•法米加、帕特里克•威爾森這回扮演一堆已婚夫婦,他們是靈異現象調查人員,在影片里前往倫敦去驅魔。

Anyone who has attended an awkward dinner party filled with old friends and odd new acquaintances will appreciate what director Karyn Kusama cooked up with this thriller. As Will works through emotional baggage, we work through the evident mystery. The Invitation caps off with a finale that's full of jolts, jumps, and unexpected twists.

任何參加過充滿了老朋友和奇怪的新朋友的尷尬宴會的人都會喜歡導演Karyn Kusama拍攝的這部驚悚片。在will經歷精神負擔的同時,我們作為觀眾則沉靜在一種神秘感當中。《復仇盛宴》會以一個極具跳躍感的意想不到的結局告終。

Slightly more impressive is a multi-story anthology that somehow manages to tie all the stories together at the end. There isn't a weak link in Southbound, which entwines five stories into a tangible desert highway purgatory.

更令人印象深刻的是一個由幾個小故事相連的電影,最后以某種方式設法將所有的故事連接起來。里面沒有一個薄弱的環節,這五個故事編織成一個實實在在的發生在荒蕪公路上的以贖罪為主題的恐怖片。

This fascinating South Korean import demands a firm attention span, and at 156 minutes in length, a certain amount of patience. we follow a police detective as he travels to distant locales in an effort to solve the mystery of a deadly disease... one that may not be biological in nature.

這部長達156分鐘的韓國片子非常能吸引人的注意力,看完需要足夠的耐心。這部片子講述的是一個警探,他為查出一種致命疾病的爆發的真相到神秘遙遠的地方去一探究竟,這種疾病可能是超自然生物造成的。

In many ways we've heard this story before -- a solitary young woman must fend off a persistent stalker who is skulking around outside -- but thanks to director Mike Flanagan, Hush turns out to be a slick, quick, and remarkable suspenseful tale.

在許多方面,我們以前聽過這個故事:一個孤獨的年輕女人必須抵御躲在外面的追蹤者的持續侵擾;但導演Mike Flanagan將這部電影拍成一部情節緊促和吸引人的懸疑片。

Set during the conflict between Iran and Iraq, a desperate mother and her horrified little girl find themselves haunted by the ghosts of wartime past. Under the Shadows is one of the saddest, and most eerily effective horror films of the year. The setting is refreshingly novel for this type of supernatural story. The two leads (Narges Rashidi and Avin Mashadi) are nothing short of fantastic.

在伊朗和伊拉克的沖突中,一個絕望的母親和她嚇壞了的小女孩發現自己被戰爭中的幽靈所困擾.。《陰影之下》是這一年最悲傷、最可怕的恐怖電影。影片的背景設定對這個類型的電影來說很新穎。兩個主演Narges Rashidi 和Avin Mashadi 簡直是太完美了。

The title means "New Godzilla," and the surprise is that this is the best Godzilla movie in quite some time. Shin Godzilla boasts tons of mayhem, a welcome sense of humor, and some pretty fantastic special effects. It's hard to imagine the longtime Godzilla fan who won't enjoy this latest revisit.

這個題目的意思是“新哥斯拉”,令人驚奇的是在很長時間里這部是最好的哥拉斯。新哥斯拉充滿了大量的混亂、很討人喜歡的幽默感,以及一些相當神奇的特殊效果。很難想象哪個哥斯拉死忠粉會不喜歡這部電影。

If you're a fan of low-budget, low-intelligence, goofball B-movies, then you have no shortage of shark movies to choose from -- personally, I recommend Shark Attack 3 and Raging Sharks. But if you're looking for something of relative quality, your options are limited, and Jaume Collet-Sera's The Shallows is the unexpected best of the lot. The premise -- a resourceful young woman finds herself trapped on a rock by a lurking shark -- is simple,but the movie deals in hyper-suspense and shark-related carnage to keep the horror fans happy.

如果你是低成本、不燒腦、傻瓜友好型電影的粉絲,那么這里有很多鯊魚電影可供你選擇,我推薦《深海巨鯊3》和《喜海狂鯊》,但是,如果你正在尋找一些相對有質量的電影,你的選擇是有限的,而佐米•希爾拉導演的《淺灘》是眾多電影中的意想不到的最好的了。預告非常簡單,一個足智多謀的年輕女子發現自己被困在一塊巖石上,而這塊巖石實質上是一條潛伏的鯊魚,但電影憑借著超高的懸念和與鯊魚相關的屠殺場景讓喜歡恐怖片粉絲大為快樂。

Mary Elizabeth Winstead finds herself locked in an underground bunker with an unhinged John Goodman. 10 Cloverfield Lane is a very entertaining blend of psychological thriller, Twilight Zone episode, and straight-up science fiction, and holds up especially well to repeat viewings. I know because I just re-watched it. I don't make these things up.

瑪麗•伊麗莎白•文斯蒂德發覺自己和 精神錯亂的 約翰 • 古德曼一起 被囚禁在 地下室里。《科洛弗道10號》是一部帶有娛樂性的片子,又是心理驚悚片,陰陽魔界情節和赤裸裸的科幻片的混合體。同時,這又是值得重復看的片子。我這么說是因為我自己就剛剛重看了,我可不是無中生有。

Brian Cox and Emile Hirsch play father and son coroners who come to realize that the unidentified corpse on their table has a long and freaky back story. To say much more would spoil the flick's numerous twists and turns, but this is a very brisk, and efficient horror movie .

Brian Cox 和 Emile Hirsch飾演一對父子,他們逐漸意識到在他們桌子上的那具不明身份的尸體有著又長又充滿怪誕的故事. 說太多會破壞影片的眾多波折,但這是一部非常輕快、非常高效的恐怖片。

This fascinating indie is about a young man who worries he may start to display homicidal tendencies. Smart, strange, and unpredictable, I Am Not a Serial Killer is a mash-up of psychological horror and dark humor bolstered by a great cast --yes, that's Christopher Lloyd! -- an impressive visual approach, and an offbeat sense of quiet confidence.

這部吸引人的片子講的是一個年輕人,他擔心他潛藏著殺人傾向。《我不是連環殺手》中充滿了聰明、怪誕,和不可預測性,混雜著心理上的恐懼和黑色幽默感。這些都得力于一位出色的演員:克里斯托弗•勞埃德。他有著令人印象深刻的視覺感,和非凡的自信感。

While this late-arriving sequel didn't blow the box office doors down, fans of the original may find themselves (un)pleasantly surprised by the scares cooked up by frequent collaborators Adam Wingard and Simon Barrett, who genre fans know from You're Next and The Guest. there's a tree-climbing sequence that's rather suspenseful, and the ending is not appropriate for people with severe claustrophobia.

雖然這遲來的續集沒有獲得很高的票房,但是原有的粉絲可能會驚奇的發現這部恐怖片是由Adam Wingard和Simon Barrett共同執導的,他們因為《你是下一個》和《訪客》而為粉絲熟知。有一個攀樹的情節相當有懸疑感;有嚴重的幽閉恐懼癥的人不適合來看結局。

A mysterious entity that disappears when the lights go on terrorizes a young woman and her kid brother in this creepy movie. In many ways, Lights Out is a conventional and slightly predictable horror movie, but it's also well written and cleverly shot. Bonus points for the ending, which isn't exactly a twist, but it does manage to leave the viewer feeling slightly gut-punched.

在這恐怖電影,一個神秘物體在開燈之后就消失,但是關燈后干擾著一個年輕的女人和她的弟弟。在很多方面可以看出,這是一部傳統的、略可預測的恐怖電影,但是劇本不錯,而且拍攝巧妙。結尾是一個亮點,雖然結尾沒有很扭曲,但它確實讓觀眾大為震驚。

It's the film's focus on character development that allows it to become quite a bit more satisfying than just another 1980s throwback gimmick flick. Solid performances and a nice sense of tension complement the clever story of a haunted game that ensnares three young people.

這是一部關注人物發展的電影,它比80年代復古手法電影更令人滿意。表演扎實,緊張感也不錯,又有設置了一個不錯的故事:一個鬧鬼的游戲誘捕了三個年輕人。

In Carnage Park, a crazed sniper stalks some criminals -- and their hostage -- across a sparse desert landscape. The movie isn't for all tastes, but a perfect companion to Keating's own Darling, about a young woman slowly going insane. Both films are evidence of a young filmmaker who was clearly inspired by horror classics, and is intent on bringing a new spin to old tropes.

在“屠殺公園”中,一個瘋狂的狙擊手來到一個人煙稀少的地帶,悄悄地接近這些罪犯和他們的人質。這部電影并不適合所有人的口味,但是和“基廷的愛人”可以一起來看,“基廷的愛人”是講述了一個年輕女人慢慢瘋了的故事。這兩部電影都可以說明這位年輕的導演受到經典恐怖片的影響,同時想將新的元素融入到經典之中。